What you won’t see at a typical comic or anime convention you will see at a #furry convention: a dance contest! These #fursuiters (or #furries) not only put a lot of effort into their #fursuits, but their dance moves while wearing their fursuits as well.
Here’s a furry dance competition that occurred this past weekend at Furry Weekend Atlanta (or #FWA) and was filmed by Fursuiter Blazzer:
Regardless of what type of #cosplay you enjoy, it’s ultimately about having fun.
#Fursuiter Pocari Roo shared a video on #YouTube discussing the pros & cons of owning & wearing a #fursuit. We highly recommend this video for anyone thinking about getting into #fursuiting.
Fursuiter Avedis_2000 shared a video of the pros & cons of making your own fursuit. Again, we highly recommend this video for anyone thinking about making your own fursuit:
The most distinguishing feature of any #fursuit #cosplay is its head. The head is probably the single most important element to any fursuit because the head is what helps to define the identity and species of the type of anthropomorphic character that the #fursuiter is portraying more than any other component. It’s also often the part of the fursuit that draws the most attention.
We’ll begin by stating that there are multiple ways in which a fursuit head can be constructed, but the primary components that are almost always used in all fursuit heads are (1) foam and (2) fur.
- Foam is what gives the fursuit head its overall shape. Other materials (such as EVA foam or parts casted from resin) may also be used as part of the inner structure.
- Synthetic fur (in typically different colors) is then applied to the outside of the head in patterns according to how the wearer wants it to look.
Other materials that you will need include the following:
- Hot glue gun & sticks (a lot of stick)
- Measuring tape / ruler
- Sewing (a sewing machine is recommended, but some sewing will have to be done by hand)
- A head form
- Hair clippers (for cutting the synthetic fur)
- Vacuum cleaner (for cleaning up debris)
Most fursuit heads have static jaws, but if a fursuiter wants the jaw to move as they move their mouth on the inside, that needs to be taken into account before any work is done in constructing the fursuit head.
Several Documented Methods
For simplicity, we’ll break down some of the techniques for making a fursuit head into the following methods that we arbitrarily named. An important note: these aren’t necessarily the only ways in which a fursuit head can be constructed.
- Method A (Static jaw, from the inside out over a balaclava base)
- Start with a knit balaclava as the first inner layer.
- While wearing the balaclava, wrap a sheet of foam around the head to form a cylinder that’s the same size as the maximum diameter of the wearer’s head.
- With the balaclava removed, glue and and shape the cylinder around the sides and top of the head.
- More foam is then added, shaped and sculpted to form the head of the anthropomorphic character before any fur is added.
- Method B (Static jaw, from the outside in starting with wide foam)
- Start with two very thick pieces of foam (like a foam mattress) and glue them together.
- Begin to cut and shape the exterior of the anthropomorphic character by working inwardly. This is like creating an actual sculpture.
- Gouge out the shape for the wearer’s head to fit inside of the sculpted head.
- Method C (Static or movable jaw, from the inside out over an elastic strap base)
- Create a simple structure for the head using 3 pieces of cut elastic strap, one of which goes around the chin.
- Begin attaching foam pieces to the stretched elastic straps (that are on a head mold) to form a base layer of foam.
- After attaching the foam to the chin area, cut the foam (and not the elastic beneath) if you want a movable jaw.
- Ad more foam that is shaped and cut similar to what was done in Method A.
- Method D (Movable jaw, from the inside out & using a resin-casted muzzle)
- To do this method, starting with Method A or C for the base layer will be a good starting point.
- Instead of forming a muzzle out of foam, use a hinged resin-casted muzzle (purchased from a prop maker) as the base of the muzzle. Then add foam over of the resin to create the desired head shape.
- Of the various methods listed, this is probably the most expensive due to the need to purchase a resin-casted muzzle.
Now for the example videos.
Method A is shown by Skyehigh Studios:
We also recommend watching an 8-part video series posted by Koofsuits. We included the first of the 8-part video series on how she constructs a fursuit head. She doesn’t show the initial creation of the base layer as Skyehigh Studios did in the previous video.
Method B is shown by fursuiter StarryKitsune:
Method C is shown by fursuiter Tiny Badger:
Part of Method D is shown by prop maker CanineHybrid:
Using EVA Foam in the Fursuit Head Build
Fursuit maker AlbinoTopaz recorded how she made a fursuit head for an auction winner that incorporates EVA foam for additional rigidity in the final product. EVA foam was used for both the ears and teeth. This required painting.
Here are several #videos showing #furries having fun at #FurCon2018! #FurtherConfusion2018
Posted by Spitty Dragon:
Posted by Skedaddledoggo:
Posted by HiroCorgi:
While we have previously shared David Guyton’s video tutorial on how to make a bionic arm from metal, he has just released a brand new tutorial on making one out of EVA foam!
While EVA foam is far less durable a material than metal, it has several distinct advantages over metal:
- Some conventions have banned the wearing of metal armor. If you’re planning to attend such a convention in an armored costume, it will have to be made out of some other material, such as plastic or EVA foam.
- EVA foam is much lighter than metal making it easier to wear.
- While metal is a rather rigid material, EVA foam is far more flexible, which also makes EVA foam easier to wear.
- Since EVA foam is a soft material as compared with metal, it’s much easier to work with than metal.
- The tools & materials are less costly & easier to obtain for working with EVA foam as opposed to metal.
- The skills required to work with EVA foam are easier to learn than the skills needed for working with metal.
- Unlike metal edges that need to be sanded so that they won’t accidentally cut into skin, you needn’t worry about EVA foam edges being a potential safety hazard.
- Unlike metal that can rust, EVA foam can’t rust.
- You’re far less likely to disturb neighbors working with EVA foam because you don’t have to hammer it as you would need to do with metal.
The biggest disadvantages with EVA foam as compared with metal are as follows:
- EVA foam is not as durable as metal (as previously mentioned), meaning it has a much higher chance of being damaged while being worn or stored.
- Greater care must be used for storing EVA foam armor than with metal to ensure that it keeps its intended shape.
- EVA foam armor is going to be much thicker than a metal equivalent, so additional allowances have to be made.
- Replicating a metallic shine with painted EVA foam will probably never be as shiny as actual metal.
If you haven’t worked with EVA foam before, we recommend reading Working with EVA Foam for Beginners.
Many #costumes & #cosplays (especially superhero & super-villain characters) require #boots. If you are wearing shoes or something else that doesn’t look like the the correct boots, it could severely detract from the appearance of your #cosplay or #costume, or make it appear incomplete. Obviously, you don’t want that to happen, but there are several common issues associated with boots:
- Boots are typically expensive, i.e., they typically cost more than a pair of shoes. Boots can cost several hundred dollars for a single pair.
- Boot manufacturers typically don’t make boots that resemble those that specific science fiction, fantasy, superhero or super-villain characters wear. This is especially true if the boots are brightly colored or have patterns or designs on them.
- Boots (and shoes) aren’t easy to make from scratch. Specialized tools, equipment and skills are generally required.
The least expensive and least complicated method that #costumers & #cosplayers have found for having the right boots for a specific character is to transform an existing pair of footwear into the right kind of boots. This is typically done by covering the existing pair of footwear and extending the covers up the legs to the height needed for the boots. The result will look like you’re wearing a pair of boots!
The advantage with making your own boot covers is that you can essentially transform any footwear into what you need for a given costume. If you don’t have shoes (or boots) that are similar enough to the foot portion of the boots that you need, you can probably find used shoes (or boots) that you can cover that won’t cost anywhere near as much as a new pair would.
First, here’s a video tutorial by Destiny Italia showing one technique of wrapping your leg and footwear with fabric as you transform the fabric into boot covers:
Cosplayer OneEmily’s Cosplay also has an interesting tutorial that shows how to make removable boot covers so that you can continue to wear the shoes separately and not as part of a costume of cosplay:
If you need to make a pair of superhero/super-villain boots, cosplayer Scott Bayles has one of the best tutorials on how to transform a pair of shoes into superhero/super-villain boots:
We wish you the best of luck with your cosplay boots!
Last September we posted a tutorial showing one simple way to make #gloves. We wanted to share several more tutorials that various #cosplayers have shared on #YouTube to help you decide what might be the best way for you to make gloves.
These tutorials are similar, but vary in whether the gloves are fingerless or not, glove length along the arm, materials used and methods used. In each tutorial, stretch fabric (usually 4-way stretch fabrics) are used.
First, we have this simple fingerless glove design using stretch fabric as posted by Adonis Cosplay in 2016:
Miso Cosplay shared this quick and easy tutorial in 2015 to make gloves that involves separate tracing paper, as well as pointing out that it’s a good idea to trim on the inside after sewing on the tips of the fingers and in the groves between fingers so that the gloves fit well:
You can also makes gloves from sleeves of an existing shirt or top. Bob Bee shows such a method using an old sweatshirt top. The advantage with this is that you essentially have pre-cuffs that you won’t have to remake, which can be a time-saver:
This is a more elaborate glove making tutorial that creates elbow-length gloves. It was made by Sanzu Fabrications in 2017 and includes a segment on dying the fabric after the gloves have been sewn:
Our last glove tutorial was made by Daniel Siebert. He uses 2 different colors of fabrics so that he has gloves that are blue on one side and white on the other side. The method he used included using tear-away paper for tracing the pattern:
We hope that you found these tutorials useful. If you know of a different way to make gloves, we’d love to hear how you made them.